We are officially on the cusp of the Canadian funk lords’ fourth album’s release. It’s called WHITE WOMEN and it’s a doozy. As a work of cultural theory, it posits that we are living in a post-nostalgia age. All previous genres and styles of music now coexist within a singularity of moves and gestures. More importantly, as pure entertainment, WHITE WOMEN perpetuates and elevates Chromeo’s existing blueprint: sexy funk, ass-targeting beats, melodic honey, and smart lyrics about the foibles of contemporary love.