Clutchy and Fatty….High desert crunch meets city life punch for this collaborative project in sound. Instrumental elements of soul, jazz, hip-hop, rock and more resonate throughout the record. Acoustic and electric instrumentation set the tone and in their individual stlyes; Clutchy and Fatty navigate your journey through psych folk caverns of cactus dust to bloodshot rust-covered marine layer funk. It is distinctive, original and fresh, paying homage to the past, present and future. Visionary folk funk.
The latest in Cold Busted’s 7″ series – featuring previously digitalonly cuts now enshrined on wax – comes from accomplished Polish beat-maker Emapea. Known for his contributions to the IWYMI and Bust Free compilations as well as his widely lauded album Seeds, Roots & Fruits, Emapea has been recently selected for inclusion in Mark Farina’s next Mushroom Jazz installment. So the time is ripe to get funky and fresh with this prime beat-maker’s new 7″ single. This one goes out to the B-Boys, as “B-Boy Stance” grooves with its ’70s-style car chase guitar, feet-shuffling rhythms, horn splashes, and energetic vocal drops. Every B-Boy needs a solid B-side, and here you’ll find “B-Boy Theme”. This one transports the floor to a raucous block party complete with breakneck scratches and energetic drum loops, alongside ’70s funk flourishes that’ll get any private dick – who’s a sex machine to all the chicks – quickly moving his hips.
On one hand, the thematic darkness that hangs over most of these songs exposes Beck for the creative doomsayer he is–just another sullen young man with a gift of the native tongues. On the other, the life-affirming irreverence with which he drops harebrained couplets, monologues and call-and-response chants based on designer-jeans brands betrays the glowing confidence of someone in love with all the places the creative process can take you. Grooving all the while, Beck seems like the loving creator of a ’90s version of the electric Dylan frenzy. And ODELAY seems sorta like his BRINGING IT ALL BACK HOME.
Devonwho’s Luz on Leaving is the Instrumental West Coast Beats full-length from influential Devon Fox. In 2009 he helped start Bandcamp phenomenon Klipmode with Knxwledge, Mndsgn, and Suzi Analogue. Moving up and down the coast for a few years, Devon is now based in Los Angeles creating his most potent melodically-driven Synthesizer Beat Music to date in an illuminating 39 minutes. Predominately an instrumental showcasing of Devon’s production and synth-playing – a few friends join: rapper/singer Zacky Force Funk, soul singer/producer I, CED, and blossoming emcee Pink Siifu.
Endtroducing is 20 years old and to celebrate this milestone DJ Shadow has re-opened the sessions to personally curate a bonus album of remixes by a carefully selected roll call of electronic music luminaries, which he has christened Endtroducing Re-Emagined. This will come with expanded notes from a new interview conducted by Eliot Wilder and never-before-published photographs to create the 20th anniversary release as Deluxe 6LP.
On Yes Lawd!, .Paak – who calls the album “my best work” – plays theatrically brash version of himself who sings like a ’70s superstar and talks shit like a stone cold player. But the performance is seeded with details from his life, which has seen a fair share of struggle and hard-won triumph. Meanwhile, Knx weaves a tapestry of sampled bits and live fragments-bass, brass and violin-that smooths everything over, reminding us that despite whatever struggle it took to get here… well, you already know the name: NxWorries.